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Download Ebook An Alabama Student and Other Biographical Essays

Juli 30, 2019
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Ebook Download IOWA DMV TEST MANUAL: Practice and Pass DMV Exams with over 300 Questions and Answers

Juli 21, 2019
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Ebook Download IOWA DMV TEST MANUAL: Practice and Pass DMV Exams with over 300 Questions and Answers

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Product details

Paperback: 133 pages

Publisher: Independently published (February 4, 2019)

Language: English

ISBN-10: 1795800151

ISBN-13: 978-1795800150

Product Dimensions:

5 x 0.3 x 8 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#742,280 in Books (See Top 100 in Books)

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PDF Ebook John Currin: New Paintings

Juli 08, 2019
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Review

"...showcased in the elegant slip-cased volume...gorgously grotesque...the book is a must-read for art aficionados and novices alike." -- Dec 06 ZINK MAGAZINE "Packed with elegant reproductions, this eye-catching monograph captures Currin's evolution..." -- Nov 06 TIME OUT NEW YORK "a rich new coffee-table collection from Rizzoli..." -- Nov 06 GQ "...a rich new coffee-table collection from Rizzoli..." -- GQ, November, 2006"...showcased in the elegant slip-cased volume...gorgously grotesque...the book is a must-read for art aficionados and novices alike." -- ZINK MAGAZINE, December,2006 "Packed with elegant reproductions, this eye-catching monograph captures Currin's evolution..." -- TIME OUT NEW YORK, November, 2006

About the Author

John Currin has a BFA from Carnegie Mellon University (1984) and an MFA from Yale University (1986). His paintings are in the collections of the Art Institute of Chicago; Musée National d'Art Moderne, Centre Pompidou in Paris; Tate Gallery in London; and Whitney Museum of American Art in New York. He lives and works in New York. Allison Gingeras is an art critic who is adjunct curator at the Solomon R. Guggenheim Foundation. Dave Eggers is the author of the best-selling A Heartbreaking Work of Staggering Genius and the editor of McSweeney's.

Product details

Hardcover: 382 pages

Publisher: Gagosian / Rizzoli; 1st edition (December 5, 2006)

Language: English

ISBN-10: 0847828654

ISBN-13: 978-0847828654

Product Dimensions:

10.4 x 1.7 x 13.6 inches

Shipping Weight: 7.2 pounds

Average Customer Review:

3.9 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#1,476,331 in Books (See Top 100 in Books)

These art books are getting crazy, price wise. At least someone is making an effort to publish. (Gagosian who also gave us Saville's book) This is Currins raisone to date. Kind of odd considering his age. (What an ego trip that must be!) I like him, so it was a must buy for me. The book is large to begin with, 13 x 10. Color wise the reproductions are excellent. I have seen many of these in real life and as best I remember they have done a good job capturing the image. The general layout of the book is such that the main image being shown is on the right side and the image info is on the left. Many times there is also a drawing or photograph showing Currin's ideas for the painting. It works very well, I thought. Every once in a while there will be a closeup, which there can never be enough for my taste. My beef is that they reproduced some images with far to much margin around the picture. I have to assume based on the sizes of the paintings given that they were trying to keep the ratio of picture to reproducton consistent. What I mean is that I think they were trying to reproduce large paintings larger and smaller paintings smaller. Why, I dont know. Size is ALWAYS a problem for me with art books. The good old days when a publisher would print a horizontal image sideways on the page are long gone. (Heaven forbid we have to turn the book.) Currin doesnt have to many horizontal pictures so its not a big issue. Eggers involvment with the book is in producing a fictional narative of what is occuring in the a few of the images (11 in total). Interesting idea. The two essays are very well written. If you are a Currin fan I think this is a book worth having. Its big and beautiful, even if all of the reproductions arent as large as they could be. If you think you want it, get it now. Im thinking there wasnt a big print run on this one. A big tip of the hat to Gagosian! Thanks snookie!! Keep em comming!!

Quality monograph on a controversial contemporary artist. His work may not be to everybody's taste, but it has interesting aspects.

Well put together all around....Excellent book by a great, contemporary figurative painter. Shows off his latest work and the text offers insight into his thought process.

good to see the progression of an artist over time

Perfect

The first time I saw some paintings by John Currin they appealed to me right away. I did not need a second look or to hear some long winded explination like from art school about why I should appreciate them. The simple fact is they connected to me and I picked up my first book on him.He is an excellent painter but that is just incidental to his work. There are a lot of excellent painters in this world but skill alone does nothing for art. An artist has to have something to communicate, something to show beyond his talent as a painter or draftsman. John Currin definitely has something to show. He paints mostly women but that too I feel is mostly incidental. Men as a rule of thumb love to paint women. It's a tremendous lure to paint that which we find so beautiful.To me, I love his work because with no more than a simple pose, or a well painted women with a heavily modeled pasty face, he is able to communicate the awkward nature of day to day life. Figures with uncomfortable inner thoughts and feelings show overly affected smiles or looks. Stamford After Brunch, Park City Girl, The Activists, and Brown Lady all have this feel to them. Something is lurking in the inner psyches of these people. Women they may be, but people they surly are and something is a bit off below the surface of their lives. The masks that we all put on are communicated with the actual heavily modeled pasty made up faces of some of the women.There is also a restless longing in many of his paintings. Paintings such as: Lovers 1993, Lovers in the Country 1993, Portrait 1993, and The Never Ending Story. These paintings seem to show that something is missing from the lives of the men. In a few of them a woman is present but she seems to be there for her man, perhaps to help aid him in what ever way she can. The man in each case appears like some kind of bizarre perversion of Abe Lincoln meets Uncle Sam meets Colonel Sanders with some Mr. Rogers thrown in. These paintings, to me, have a very distinct American feel to them. All 4 paintings have clouds and appear to be set in large open spaces where the man is gazing far and wide while he thinks about what it is exactly that is missing from his life or his country. The men and women in the paintings may in fact be metaphors for America itself, looking lost like some odd flustered older man but with all the help and appreciation of a young mistress by his side.Currin is most definitely pointing out what he likes and does not like about this world often in the same painting. Things are not clear cut black and white, good or bad, it's messier than that and more complicated.Day to day life as a human is complicated. We all have these powerful brains and they ceaselessly function and generate thoughts and communicate ideas, impulses and urges almost all the time. I personally find life to often be quite awkward for people in general. Adulthood is mostly a veiled childhood where we think way too much about what others are doing, thinking, and how they are acting. many facades go up and come down. People see others and desire what they have, the spouce someone has, or their house, possessions, situation and the like. All the while we are bizarre animals with all sorts of odd functions that also function ceaselessly beyond our control. All the while we have the urge to sleep, eat, fornicate, and all this while we try and do better for ourselves and appear as normal as possible within the confines of what ever community we find ourselves in. For me John Currin's paintings show this day to day struggle we all have with the awkward nature of existence and the strains that having a large brain in a complex world put on a person with urges, and longings that often happen in direct contradiction to what is expected of one in this world, country, town, street, or home. Also there is the deeper thoughts that we mostly as a society tend to uncomfortably ignore. Where did we come from? Where did the universe come from? Why does anything exist at all? These thoughts are ones that as animals we are privileged to have. Still they have boggled man for ever and humans at home who are not great thinkers can contemplate this too. We all carry these unanswered questions around with us all the time. We may not know it but we carry a bit of fear with us as a result of these unanswered questions about existence and the universe every day. They are deep in the back of our minds. I sense this in some of Currin's paintings.All this just scratches the surface of what I get from his paintings. Some of them are just beautiful portraits in their own rights and need not be viewed as more than that.He is definitely one of the few great contemporary American painters alive today and he has his brush on the pulse of the odd facade that is exhibited with the awkward doppelgÃ¤nger that is writhing just below the phony surface of this country.

Your site stated this volume as a FIRST Edition. I received a SECOND edition. Currin's work is lovely,but this is NOT what was promised.

I was so excited when the big package containing this book had arrived at my door, Currin has been one of my favourite artists and during recent years I had the pleasure of starring at many of his masterpieces from up close.This may explain my disappointment with the selection of works & reproductions (yes, I do understand it is impossible to come close to the originals with 4 color printing, but the images in the book at least could have been larger, i dont need all this white space, and I guess theres a reason amazon didnt have a "look inside the book" for this one).

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Download Ebook John Ruskin: Selected Prose (21st Century Oxford Authors)

Juli 03, 2019
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Get Free Ebook Manhood: How to Be a Better Man-or Just Live with One, by Terry Crews

Juli 01, 2019
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About the Author

Terry Crews is a former model (Old Spice) and NFL player (Los Angeles Rams, San Diego Chargers, Washington Redskins, and Philadelphia Eagles). After the NFL he became an actor, and he now has a long list of credits to his name, including work on The Newsroom, Arrested Development, Everybody Hates Chris, and in films including Expendables franchise, Bridesmaids, and The Longest Yard. He now stars on the Golden Globe Award–winning Fox sitcom Brooklyn Nine-Nine and has roles in six movies releasing in 2014. He has been married to musician and inspirational speaker Rebecca Crews for almost twenty-five years. They have four daughters and one son.

I ALWAYS FELT LIKE A SUPERHERO. AND EVERY SUPERHERO has an origin story. The Hulk got hit with gamma rays, Batman became an orphan, and Spider-Man received that infamous bite from a radioactive spider. My origin story happened when I was two years old. My mother and father were arguing, a common occurrence in our cramped upstairs apartment on Albert Street in Flint, Michigan. An extension cord was plugged into the living room wall to power a nearby lamp. As they fought, I put one end of the cord in my mouth while it was still attached to the wall socket. It blew up, and I got shocked. My mother said I never made a sound. No screaming or crying, just a bloody, smoking lower lip with a hunk of skin hanging grotesquely from my chin. The cord at my feet told her what had happened. Panicked I was in cardiac arrest—or worse—because of my eerie silence, they both rushed me off to the hospital. My mother was questioned by nurses, doctors, and even the police, as they harbored suspicions about her story, but eventually—to her great relief—child abuse was ruled out. A sense of gratitude accompanied the realization that it could have been much worse: I could have been electrocuted. Instead, the jolt of electricity gave me my “superpowers” and the scar I still have on my lower lip. As I grew up, I loved hearing about my superhero beginnings, and I asked my parents to tell me the story again and again. As they told and retold it, I sometimes imagined I’d been electrocuted and had died in that room. I had visions of God sending angels to bring me back to life because God had determined I was special. Not only that, but I also saw God speaking as the doctors did in the opening titles of my favorite show, The Six Million Dollar Man: “I can rebuild him. Make him stronger.” My imagination as a child stayed on overdrive at all times and has remained just as vivid to this day. The matriarch of our family—my wise, tough-as-nails grand-aunt, Mama Z—put the piece of my lip in a mason jar and kept it on her mantel. Needless to say, my mother was horrified every time she saw it, as it had blackened into a tough jerky, and she was happy when Mama Z finally threw out her macabre souvenir. But for me, this family legend was just more proof that I was special. The story made me feel exceptionally tough because I’d survived something that should have killed me. My quarter-sized keloid scar on my bottom lip has always been a reminder of my strength and survival. When I was three, the arguments with my father became so unbearable that my mother moved out of our Albert Street apartment and joined Mama Z and her husband, Brother Wright, on their farm just outside Flint. My mother, my older brother, Marcelle, and I lived in their attic for a year. I loved every minute of our time there, especially running outside among the chickens, pigs, and cornstalks. Mama Z talked nonstop while Brother Wright sat in the kitchen nodding yes or shaking his head no. She was an amazing cook and prepared feasts, which I devoured. My hunger embarrassed my mother, and she always told me not to ask for anything. But she also told me not to lie. And Mama Z constantly asked me if I was hungry. I looked at my mother, noticed her angry squint, but still I nodded yes. Mama Z fixed me a huge plate of meat, beans, vegetables, and potatoes, as well as peach cobbler packed with ripe peaches she’d picked behind the house. I grinned at my mother until she reluctantly smiled back, knowing she’d been foiled again. My mother often left us alone with Mama Z, a tough cookie who worked outside every day and introduced me to how real the world could be. In the morning, she stood in her kitchen, declaring there would be chicken for dinner as Brother Wright nodded in agreement. Then she went out back by the barn and looked for a good-sized chicken. I sat on the back stoop, watching as Mama Z tiptoed around with the fowl, almost mimicking their steps. “Here, chickee, chickee, chickee,” she called out in the sweetest little-old-lady voice imaginable. Then she violently yanked the bird she wanted out of the crowd and held the neck still while spinning the body around in circles like a jump rope. When she let her victim go, the other chickens scattered and clucked loudly as her chicken—its neck broken, head dangling near its feet—ran around the yard flapping its wings for what was the longest minute of my short life. As the runaway chicken came near me, I recoiled on the stoop, scared to death it might attack me. “Go on in the house,” she said, waving me inside. When she carried in the chicken, she promptly dunked it in boiling water, then plucked, gutted, butchered, and fried it. I watched every step, determined that I was never going to eat that bird. But as time went on, I grew hungrier and hungrier, and by the time she placed that same chicken down in front of me, with white rice and corn, I ate every bite. Plus seconds. It was the best chicken I ever tasted. After a year with Mama Z, my mother and father reconciled, and we moved back in with my father. But not all reunions are happy. Before long, there were plenty of reasons I started feeling the need to be tough, even though I was only in kindergarten. We relocated to a small, ramshackle house on Flint Park Avenue. My father, Big Terry, began getting ready for the birth of my little sister, Michaell, and he and Trish, which is what we called my mother, moved Marcelle and me into the smaller of the two bedrooms. At sixteen, my mother had given birth to my brother, and then had me at eighteen. I now suspect her youth had something to do with why we never called her Mom. And I believe we didn’t refer to Big Terry as Dad in order to make it easier on Marcelle because he wasn’t Marcelle’s birth father. The fact that we had different fathers was never hidden from Marcelle and me, and I often wondered what Marcelle’s father looked like and what he was doing. I thought about how it would feel to not know or have contact with my birth father, and I was always sensitive to what it must be like for Marcelle. Once Big Terry and Trish had moved us into the smaller bedroom, they stacked our beds into bunk beds, which my brother and I loved because they now earned our highest compliment. “It’s just like on TV!” we shouted when we ran into the room and saw them for the first time. I prowled around, trying out amazing feats of strength and showing off for Marcelle. Superhero-style, I lifted dressers and the living room couch and flexed endlessly, imagining electricity still running through my body. I would take the bottom bunk because I had a bad habit of falling out of bed in my sleep. I was also a bed wetter. Until I was fourteen. Looking back on that time, I realize that my bed-wetting had something to do with how unsafe I sometimes felt in that house. One of the first nights my brother and I were sleeping in our new room, I woke up from a sound sleep to rumbling in the house that felt like thunder. BOOM. BOOM. BOOM. BOOM. BOOM. I lay in the dark, trying to make sense of where I was and what was happening. The whole place was shuddering. Trish was shrieking and screaming. It was pandemonium. I’d never heard anything like that before in our house, but nothing could have prepared me for those sounds anyhow. It felt like war. Our bedroom door was closed, but light leaked in from the other side. My father had just installed a makeshift divider between our bedroom and the living room. It was uneven and allowed light and sounds to filter through the cracks to where we lay. I heard Big Terry’s booming footsteps and a weird shuffling sound. It felt like an earthquake was shaking everything. I thought of my favorite Godzilla movies and wondered if the house would fall down like when he destroyed a city. I was scared of what was happening, and I stayed in my bed with the covers pulled up over my head. Marcelle did, too. It became common for me to wake up to these sounds. And soon, there was a night when the chaos spilled into our room as my mother burst through the door. “I’m going to take the boys and go,” she said. Big Terry followed close behind her. She had left before, and he knew she was serious. “Don’t, Trish,” he said, his voice pleading. I blinked against the light, scared, trying not to do anything to make it worse. “I’m telling you, I’m gonna take them,” she said. Something in Big Terry seemed to snap. “You do that, and you’ll be sorry,” he said, his voice growing angry.

Product details

Hardcover: 304 pages

Publisher: Zinc Ink; First Ed First Printing edition (May 20, 2014)

Language: English

ISBN-10: 0804178054

ISBN-13: 978-0804178051

Product Dimensions:

5.7 x 1 x 8.5 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

216 customer reviews

Amazon Best Sellers Rank:

#36,928 in Books (See Top 100 in Books)

The book is an easy read. The narrative of Terryâ€™s story keeps you engaged as you travel through his life escaping Flint, MI as a teenager. Then the book travels through playing football and his escaping from the traditional role models of being a man.Terry speaks about not being the strong silent type... not being the Marlboro Man. When a man's man speaks about vulnerability, men listen. The model of strength and courage while being open and standing in integrity is new for most men. I encourage both men and women to read Terryâ€™s book for the entertainment and for the direction it gives.If this planet is to change, men need to step up in a new way, a way that few men ever saw. I wish Terry great success with this book. Heâ€™s doing a big service for men and all those that love them.

As I read this book, I felt like I was reading a book about myself. My father was physically abusive to me mom. My father was an alcoholic. My father could only cry when he was drunk. I was able to reconcile with my father before he died at the age of 59 due to cancer. Wow, this is nuts. This book has caused me to pause and really think about this idea of being a â€œpleaser.â€ I stopped reading when I read that early on, because I think itâ€™s true. Thanks Terry for opening up your life. Thatâ€™s always a hard thing to do. God bless.

While I was expecting more doses of wisdom, or some kind of guidelines or "rules" for the lessons Terry learned over his life, it didn't stop the book from being a really enjoyable and eye-opening look into the life of a man most people just regard as "the big crazy / silly guy from the Old Spice commercials". It was also eye opening for me to see just how much fanatical religious beliefs can distort a child's perspective at such a young age, being an atheist I'm always looking for the silver linings in religion, and here I think I found that at least Terry seems to have gotten some good core values out of his relationship with religion, despite all of the guilt and unhealthy patterns he's worked long and hard to get past.The determination and refusal to quit throughout the book is really inspiring, and although the book is really more of a memoir / biography than a book on solid advice on being a man, there were still quite a few highlight-able snippets to revisit after reading and really think on. The lessons here about manhood are absorbed through anecdotes and the recollections of his life, not necessarily splayed out for you in a formal sense. So yeah, maybe the title is a little misleading, but it was still a great book and I now look up to Terry in a different light than I previously did.

Really liked this book. It runs chronologically through his childhood (and living with an alcoholic dad), high school, trying to get a football scholarship in college, scraping by in the NFL for a few years, and his eventual success in Hollywood. He's a guy who's admittedly gotten a fair chunk of therapy in the past few years and has clearly taken time to understand how his upbringing has lead to who he is now, what he likes, and what he's trying to change. He concedes that he was a crappy guy during portions of his life, and also that he was terrible at managing his money and that caused a lot of issues.Also, it's generally interesting to read a memoir from someone who's still working and needs to protect relationships with colleagues. In this respect, it felt to me like he was pulling his punches on everyone from Hollywood and is just really grateful (and somewhat shocked) to have made the fantastic transition to acting that he has.There's no co-writer on here or prominently featured editor, so I'm assuming Mr Crews wrote lion's share of this book himself which is really impressive. Nice, fun read.The biggest issue I have with the book is that there are NO PICTURES! They really should've put some photos in here of him in his NFL uniforms, with the different haircuts he discusses, and as a kid. Based on that I would knock this book down to 4.5 stars if it was possible, but the enjoyment I got was greater than four stars, so I rounded up.

Great story of a great man who found his way to greatness from a hard start. Would have been 5 stars if he write more about the art of becoming a true man and less about the details of his trials and tribulations. The last chapter was awesome but I think he has much more to say that could have been worked in to the story throughout. A great read. Thank you Terry for sharing your story and insights on something all men should recognize: it's not about us; happiness stems from being part of a much bigger equation.

Not what I expected. His writing is raw, emotional and will punch you in the mouth. He opens himself up and in the process allows all of us to walk a path toward bring more transparent and honest in our relationships.

This author knows what a good story is and how to tell it. It was enjoyable, even as it made me uncomfortable at times.Helped me understand how the perpetuation of physical abuse occurs in all parts of society. But it also gave me hope that each generation gets a chance to filter it out and be better.As a man I never want to be self deceived. When I am, I sure don't want to tell the world what a fool I've been. Thank you Terry Crews for having the guts to do just this.I come away vigilant and willing to listen to my wife about my nasty foibles.

Terry takes you on the journey of self discovery in a way that puts you in his shoes. You get how he became the man he is today, and learn about toxic masculinity from a perspective you would never get in a blog or on a typical feminist web site. I am thankful to have had the opportunity to read this.

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